Last August 11, 2019, I left you hanging with a radical bathroom remodel that was in the throws of being transformed. The title of the blog was Everyone Loves Before and Afters. https://patriciandesign.com/everyone-loves-before-and-afters/ Here today, I am excited to present the finished product and a little more to the story…
Everyone DOES Love “before and afters.” The original blog identifies the material process of the project, but as important as the material applications are the emotional aspects of design and precede the material selections.
The home is a bungalow style home from the 1950s. Charming architectural elements and traditional details set the stage, sensitivity, and the emotions behind any design decisions we were to consider. See the first phase of this home’s updating design in the primary living space at this link: https://patriciandesign.com/project/classic-blue-white/ The kitchen was also re-finished. Maintaining the same design layout and appliances, the new finishes resulted in a startling transformation. https://patriciandesign.com/project/kitchen-transformation/
The challenge in this project was to retain the character and traditional charm that the couple so enjoyed about their home, while introducing new, modern design features and trends melding with traditional design elements. New custom cabinets for the vanity and linen storage/display unit along with the re-design of the shower – eliminating the tub and making a “doorless” access and a pocket door connecting to the adjacent guest room were the three key construction components.
Dated finishes done in the 80s, by previous owners, were common and bland. The tub and shower were enclosed with by-passing glass doors in aluminum tracks and frames. This bathroom was the dated and fussy room that we presented last August. The tired and dull finishes needed replacing and refreshing. It was to be a complete make-over to compliment other recent improvements in the home.
Once the general concept for the remodel is determined, the “what if” stage begins. The stage where ideas are tossed about and decisions lead to other decisions. The options are massaged giving way to different combinations and considerations.
After all the options are discussed the plan is adopted – a combination of everyone’s input. Hopefully not design by committee, but in this case the couple, in whose house we were working, and the me, the designer. After the design is determined, the input of the general contractor and/or the sub-contractors can come into play. They are generally given the opportunity to evaluate existing conditions and voice opinions and procedures or details that their expertise can bring to the project. Everything is considered until a cohesive plan is developed.
New cabinets were locally fabricated to not only insure excellent craftsmanship, but to customize the fit (left to right) and provide specific drawer configurations for the desired new height of the cabinets with an additional sink.The tub was removed, and the new shower enclosure was clear glass and given a wider footprint to allow for a jog which eliminated the need for a door. The shower valve was relocated from beneath the shower head to the opposite “pony” wall, making it easier to operate the temperature and flow without getting wet first!
Other than the shower reconfiguration, new cabinets, and pocket doorway into the guest room all else was superficial cosmetic design features. This is where the layers of embellishment come into play.
During the process, there were certainly hesitations about the combination of patterns and finishes being proposed…however, you know you’re on the right track when the happy homeowner has fun accessorizing and creates the perfect towel/robe hooks! DIY – finding these blue, wooden, open-work plaques, our creative homeowner bought polished chrome and glass doorknobs and attached them securely to the plaques – Voila!
In keeping with the traditional design direction previously adopted in updating the interior, the flooring was selected for its natural stone mosaic authenticity. With a warm grey selected for the custom cabinets and white herringbone patterned subway tile on the rear wall of the shower enclosure made for a fresh modern look.
A mix of patterns – a balancing act – the art of design. Do not be afraid.
But wait! These traditional elements and modern trends were further embellished with a second layer of curvy turquoise mirrors installed over the full-wall mirror – suspended between is a polished chrome sphere of open bands providing ambient light and additional task light for the vanity area.
Layer upon layer until the composition is complete!
Classic blue and white screen-print on paper with an overall pattern of vines and leaves fills in the voids creating a not-too-busy backdrop – adding further dimensions to the design.
Natural stone slab of a white crystal-like granite – looks like a stone quartz crystal.
Drapery fabric in a traditional floral on linen with whimsical, modern “martini glass” sheers soften the window and diffuse the incoming light.
The resulting completed interior is a radical transformation from the dull beige and peach of the previous scheme. Fresh and crisp – with just enough busy to be playful – the new owners claim that they smile every time they enter or even walk by.
Remember the first photo? The BEFORE & AFTER transformation is extraordinary.
After experiencing and pondering the value of incorporating nature’s elements into architectural planning in the previous blog, I find myself winding into the countryside from sea level to a mile high into jungles and ultimately pine forests, across vast expanses of rivers and towering bridges spanning grand abysses…and stopping at a modest panaderia (bakery) on the side of the road.
You can’t tell a book by its cover as this simple little rural structure – standing alone – looked curiously intriguing and quaint enough, with an unpaved parking area transitioning to well-tended pea-gravel. Traffic cruised by, on the way across the bridge.
Those that knew, turned in. We pulled off the road and were told that this couple had a wonderful bakery and were promised an exceptional treat! Fresh empanadas that would bring remarkably satisfying mid-morning joy.
Very tidy and thoughtfully eclectic, this little destination bakery is a precious find.
Oh, were we in for a surprise! At the entry, I stopped to shoot the whimsical cup of coffee mosaic set in a field of stone and concrete. I thought – what a fun design element to greet arrivals and set the stage. But I had no idea to what extent I was about to be elated. What unfolded so exceeded my expectations that I wanted to stay all day!!!
Happy stone and tile-work adorned the pathways. From the textures of stone and brick, tile and wood – it was an organic fantasy – an unexpected design experience.
Simple, yet spectacular – simply spectacular!!!!!
Ceilings of colorful floral blooms – perhaps wisteria – suspended from their vines and other plantings intertwined with the structure.
Spotless and meticulous the eclectic elements were a harmonious creation.Stone walls, wooden slats, vines and adobe all worked together to define the spaces.
The wafting aroma of fresh baked goods – it was more than delightful. From warm savory clouds with mushroom filling and another with chile-laced sausages – and an array of sweet strawberry, cream and pineapple empanadas to corn muffins, banana muffins and more! All nestled beneath colorfully woven cotton tablecloths.
Light and delicious – the best empanadas ever!! With a tiny sprinkles of granulated sugar, for a sweet crunch, before sinking into the fabulous fillings! Muffins challenged any others and savory treats were so satisfyingly delectable. Little buttons of banana slices on top denoted which were the banana muffins!!
Rich Mexican coffee with a touch of freshly ground cinnamon and luscious hot chocolate were served in custom-glazed “barro ware” complimenting the fresh-from-the-oven confections.
The exhibition baking kitchen overlooked the serving line. The buffet of pastries thoughtfully explained by our gracious and welcoming host, Jesus!
Carmen presents fresh strawberry tarts just from the oven!!! A combination of old and new – tradition and technology meet in this cozy kitchen.
Fragmented spaces open, yet enclosed, offered intimate pockets in which to pause and enjoy.
Color-pops insert themselves effectively around the interior and exterior spaces.Inviting seating areas semi-concealed offer private repose. Tucked away – more areas to enjoy…
Clever use of clean blond wood shavings on the floor of the main covered patio created a wall-to-wall carpet of fresh aromatics complimenting the inviting aromas emitted from the ovens. Rocking chairs and rigid sturdy versions, with a fun little rope swing, all surrounded by tropical plantings made a cozy area to gather.
Soft underfoot and subtly fragrant – the wood chips make a great shag carpet!!!
As I meandered around exploring all the interesting spaces, textures, colors and plantings, I marveled at the sensitivity with which this had all been crafted and assembled. It was artful interior design with an exterior feel – open air and charming, with a decidedly handcrafted, Mexican sense of place.
Slices of handsome tree trunks make perfect stepping “stones” with graduated heights.
It was an eclectic collage of furniture, structure and organics – living and static – that was welcoming and artful, delightful and so pleasing, that it was a treat for all the senses.
The cool morning air of the mountains mingled, with the comforting fragrances, creating an atmosphere inviting gentle conversations of people gathered around good food and artfully relaxed surroundings.
Peek in places and through doorways to find worlds of design
waiting to be discovered!!!
Everyone loves before and after shots – they are so telling, dramatic and fun to compare. How about during? This week, we are nearing completion of a project that has been in the works for the past few months. Not quite finished, here is a little story about the stages of the design process…
Are YOU planning a remodel…a room an entire house?
Once a project is identified, the options are studied. Usually each party involve has their preconceived notions…images and ideas come to mind. The mind is that arena from which it is tough to articulate images and especially between people. The design process requires that ideas need to be expressed, defined and argued – pros and cons.
This room was dated and fussy. The finishes were tired and needed refreshing. The project was described as a complete makeover to compliment other recent updates in the home.
The scope of work was to remove the tub, replace the cabinets, add a second sink and create an opening into the guest room. At that point, the “what ifs” began.
Healthy arguing ensues – meaning sharing ideas back and forth, explaining the approach and concepts. More like presenting than arguing. It’s actually a fun, creative process – full of choices, ideas and seemingly limitless opportunities. It’s the “What if…” stage. Sketches are used, arm-waving and samples, photos and words all contribute to the compilation of the ultimate design. Each person contributes to the process until a common plan is adopted.
Whether formal plans are needed depends upon the code requirements, if applicable (“cosmetic only” changes requiring no modifications to structure, electrical or HVAC – for example – might not need formal drawings). Therefore, the development of documents is dependent upon the requirements of the municipality and/or methods of the contractors. Regardless, sketches begin the process.
If code requirements necessitate permitting, the process
must proceed through that stage prior to commencing the work. So after weeks of
ideas being tossed about, a plan was conceived, client approved drawings were
made and the process moved forward.
The scheme was set with the first materials selected – glossy glazed imperfect wall tiles for an interesting and textural herringbone pattern with a stone mosaic for the floor.
The demolition – always a shock – but “you have to break and egg to make an omelet!” Unbeknownst to anyone, the floor was rotted beneath the toilet and required repair. Mirror, glass block, tile and much sheet-rock was removed.
Old cabinets were removed and after all the dust had settled, the bare bones exposed and a clean slate presented, the new work began.
The new cabinets were to accommodate a second sink and slightly longer counter-top. To make sure access between the shower and counter-top was not too restricted, I designed a radius to ease the squeeze. Enrique made a template of the radius that would be represent his end shelving and counter-top. When Rocky Mountain Stone arrived to shoot their lasers to measure for their templates, the radius template Enrique had made was very helpful.
The end of this cabinet will have radius shelves with counter-top following the radius. Until then, Enrique made a template of the shape so that the counter-top could be measured in advance of end piece being completed and installed.The laser process to template the counter-top begins…with the help of the mock-up of the radius!
Decisions regarding lighting had not been finalized, with the completion of the plans. Having eliminated the desire to have recessed fixtures, whether to use a center sconce, two flanking sconces or a single pendant in the center between the sinks was still up in the air. Love the pun! Debating a full height panel of mirror versus two wall hung framed pieces, was also undecided.
But here’s an “oops” when we discovered the power for the light fixture off-center for a center-hung pendant.
Taking the risk to be disappointed, but with little investment
to do so, our client elected to buy the
two curvy framed mirrors that almost promised to be too small. Upon arrival one
of the two mirrors were broken. Bummer.
The inevitable, unexpected happens on every project…we had decided not too use these so rather than have the one of the pair replaced, we requested a refund. However, upon further study, we modified the design to accommodate both mirrors – we are re-ordering the second mirror.
But in an effort to determine if we wanted to have the
broken mirror replaced or refunded. We held it up on the wall, as we feared, it
was confirmed that they could not carry the space. We asked that the company
not replace the broken mirror, but refund the cost.
We really loved the
whimsical quality of the curvy framed mirrors and their distressed turquoise finish
was a great addition to the otherwise blue and white scheme. So, a week later,
after pondering the dilemma of the mirrors…I offered what seemed to be a radical
suggestion (but not really), and that was to install a full-panel wall mirror –
backsplash to ceiling – and then mount (over it) the two mirrors. To do so, our
very able and talented glass master, Robert, would have to cut (prior to installing) holes
in the mirror panel located behind where the framed mirrors were prepared for hanging. The result would be the
pair of mirrors hanging on top of the full panel creating a floating, multi
dimensional effect. Watch for “afters” in a couple weeks, of this
completed installation.
As the project proceeds, the flooring is nearly completed and all but the finishing touches remain.
Pilasters were added at each end to stop the tile on an inside corner, rather than having it quit flush on the wall. The shower will not have a door, but nearly encapsulated with frame-less clear glass to give an illusion of a more spacious room.
Best to stop here and reserve the finale for the finished “after” shots as promised.
Artistically embellished
architectural splendor is an understatement for all the wonders that await when
visiting our Nation’s Capitol. Washington, D.C. is my home town. Growing up
inside the Beltway, venturing into the District for work or pleasure was once my
norm. I know I took it for granted. Like
many, when one lives and plays in a place, it often becomes routine. Work the
same place, drive the same route, play in the same spots…unless there is a
special concert to catch or event prompted by others to attend, one often
misses the wonders that are right around the corner.
Therefore, when I visit, I try to
make it a point to investigate and experience things I have never seen or
things that I haven’t seen for quite some time. This visit featured the grand
dome of the Basilica of the National Shrine of the Immaculate Conception.
It was the focus of our outing,
but the surrounding chapels and all there was to see became such an educational
and eye-candy dazzling afternoon of mosaic artistry that our eyes and neck were
fatigued from staring at the details and craning to view the enormous vaulted expanses
of blazing glory.
Lest you think I exaggerate, know that the majesty of the iconic images have been rendered in such exquisite detail and with such amazing colors of tiny, precisely placed tiles that the work makes you gasp and say “whoa” at every turn.
And this is just touring the many spectacular chapels on the way to the nave where the vaulted domed ceilings explode with color, detailed imagery and astonishingly expansive scale! It is then, upon entering this awe-inspiring space, that gasps and whoa fall away to near breathless speechlessness as eyes well with tears at the splendor.
The detail was similar to that of
the magnificent mosques we experienced in Istanbul – but there, we walked in
and BAM the spectacular space was huge and instantly revealed – definite WOW
factor – but here at the Basilica, it was a fascinating process of discovery as
we investigated each chapel and made our way up to the grand expanse of the
vaulted nave.
I am not going to give you a
guided tour of what we experienced, nor am I going to attempt to convey any
aspect of the historical tracings of the biblical references…but I am going
to attempt to impart the beauty and artistry that one doesn’t have to be a
catholic to appreciate. Photos can’t begin to accomplish what it takes to get
the full effect of these amazing designs, patterns, details…
Marble columns throughout the Basilica are identified by place of origin of the stone.
I encourage everyone to experience this majestic edifice and the beautiful grounds towering above the trees in NE Washington, D.C.. It will not disappoint. https://www.nationalshrine.org/
It’s true. If you think designer’s projects go more smoothly than the ones they do with and for you, you’re wrong. It’s true – they don’t! It’s about Murphy’s Law and I have been remodeling our master bath for months. Starting in November and as recently as this weekend personally installing (DIY) the stone surrounding our mirror, it is still not finished. But it’s close.
The full-wall mirror was re-used. During the removal and transportation to be cut-down, the edge cracked and had to be cut down…we lost an inch or so – no big deal EXCEPT that it then affected the dimensions of the new stone surround that had already been determined. Oh well…we now will have to cut the tile – had intended not to have to do that. One of the many little surprises and delays. We had to order more stone and will now engage the installer to cut the ones that would not fit the new and slightly non-parallel conditions .
It’s actually fun to tile…until you have to cut it. It is like frosting a cookie and then pressing it onto the wall. It goes quickly and gives instant gratification. But when things are not perfectly parallel, something has to give. That’s when we cut. (Or call someone to cut!!!)
The effect, of having almost all of the mirror surround finished, gets us that much closer. The effect is great and is beginning to feel like the intended design.
The shower before and after is providing the open expansive look that our little shower enclosure didn’t provide. Despite the facts that the footprint is nearly the same and the old enclosure was all clear glass – albeit framed in gold finished aluminum – this new single panel of 1/2″ clear glass and white-on-white floor and walls looks clean and open. Not a snail design – but, no door. Prepared to add a white shower curtain on a custom curved aluminum ceiling track once winter returns – but for now we’re enjoying the refreshing and comfortable atmosphere.
We elected to use stacked stone on the rear wall of the shower as our house sits at the base of the majestic Sandia Mountain and selecting stone seemed more grounded and contextual than other decorative options – of which there are a million from printed concrete, glass mosaic, embossed porcelains…the list goes on…
Decorative elements are beginning to “read”
against the new finishes. The same Portuguese ceramic footed rectangular
container holds a bouquet of white washcloths. Yes, I think that the rolled
terry towels look like rosebuds and I have always enjoyed the softening effect
they provide amidst all the other hard surfaces. Plus they are handy on the
countertop for clean replacements.
Footed Italian porcelain has had wash cloths in it for years and stays on the new counter top in a slightly different location.
Behind the terry rosettes, notice the pair of Heisey open and lidded pair of stemmed glass vessels that I use for make-up brushes and cotton balls respectively.
The same crystal wide-mouth vase holds and dispenses the facial tissues. I love the effect of the white-on-white coiled folds of the tissues. They are soft and read interestingly through the cut crystal.
I’m a LEO and find myself discovering and enjoying subtle references to lions. Our front door knocker and this cache pot that I’ve had for over 20 years as examples.
Nothing in this new scene is new. These accessories are all
the exact items that were scattered on the countertop previously! Funny how the
exact same decorative accessories work so well in this new interior!
A silly little collection of found things in a family inherited vintage pressed glass bowl including a glass marble, square frosted glass coke-bottle-colored mosaic tile, various sea shells and fragments, a squashed bottle Coca Cola bottle cap from Mexico, a hemp cord DIY necklace with a shell pendant…
Another glass tray that was also on the previous countertop presents my fragrances, a few products, a bobble-head turtle, my Waterford ring stand stacked with costume glass rings, my tragic, yet miraculous jade bracelet (save for another story), a fossilized bone – in – stone I found as a child, my white framed sunglasses which might seem selected for the new color scheme – when, in fact, they are a result of my love for white framed glasses and these that I bought even though I didn’t like the would-be “reader” small lenses – I kept. I don’t like the way they look on – so have relegated them to the master bath for emergency dashes to the outdoors, on the upstairs deck when my other sunglasses are downstairs!
Still to complete…the stone mirror surround, hang the glass shade for the new pendant light fixture, install the towel/robe plugs, install the polished chrome drawer bar handles to match the new square door and drawer pulls, clear all the remaining stone pieces, thin-set and grout bags and boxes from the tub deck, install the new window sills…
Re-evaluate your existing accessories (and/or furniture)
before feeling the need to change everything when you remodel. Watch for the
completed before and after shots of this remodel soon to come. Well, relatively
soon!!
Is your story important? Does anyone care about your story?
And what does this have to do with interior design?
Whether you are marketing yourself or your business, your story has merit. It is about identity, branding and connecting. It is about letting people in a bit. It is about sharing history, experiences and process. It is about your unique reason for doing what you do.
For the past several months, I have been working with a
client on a combination of interior design, graphic design, exterior
design…it is all intertwined. A successful design laces together all these
design elements. And that brings me to “the story.”
Even Facebook features a section to tell “your
story.” Yet, my client resisted
presenting/using the story of this new business venture as a part of the
design. He told me that was “so seventies.” That he had read that it
was a dated concept that was no longer relevant. I begged to differ. For months
I begged to differ! We agreed to disagree.
I believe that this is similar to many interpretations of design. What might be considered “dated” is often the manner in which it is used or done – not the thing itself. Whether a color, a font, a style of furniture, a wall tile or wallpaper, an architectural detail or form…so many design elements are considered dated due to their context. Often, this is fair to observe. But, mix it up a bit and use things differently or with other different elements than the original trend presented and – Voila! You have a perfectly valid, even fabulous design – think outside the box!
The idea of a “story” is not unlike the “mission statement” which became a standard feature decades ago in every company’s presentation on printed media, lobby plaques, conference room walls, break rooms… Some say it is passe, but when something is good and has meaning – re-consider. Like “the story”, “the mission statement” identifies goals and intent…when paired with the story, it provides an overview of the who, what, why that inquiring patrons want to know.
So back to the story…about “the story.” When a business or any concept is respected or
liked, revered or praised, it is natural for people to wonder “How did
they get started?” “How did they come up with this idea?”
“What is their history in this business?” These are common questions
that clever ideas or designs invite. So why not satisfy that interest, create a
buzz…Let’s give them something to talk about!!!
In this world of disconnection, making connections seem all
the more important. What used to be a natural exchange – of communication,
ideas, sharing – is now something that has to be inserted with greater
intention.
So this new business, for which I have been designing, is a barbeque establishment. There are a million. They have certain things in common. Without my enumerating them here – can you envision some common denominators that you might connect with barbeque joints? As is true with any venture, I asked: “What makes this one different? Better barbeque? Maybe. Cool interior? Hopefully. Are those the only unique traits? Is that the memorable take-away? It certainly isn’t a bad one – the idea is to have great food – and a fun environment, but what else might contribute to the experience of this barbecue being unforgettable? What might you have, to tell your friends, to spread the word?”
My opinion was a combination of an intriguing brand and “the story.” But before I go further, they coined a word to express their beer brewing prowess – exbeerience! This will enter into the story as we go along.
Now maybe my opinion about their story was so worthy of consideration because there was so much to this story. That certainly helps. It happens to be a great story with layers of interesting twists and turns – riddled with history and significance. Plus, it had a local interest angle that has the potential to create a buzz far beyond their actual location.
To begin to tell the story, I encouraged the development of
a unique logo for this specific branch of the brand. Taking the lead to design
it, and incorporating it into interior/exterior
design was part of my vision for a complete design package and presentation. Extracting
from the story to create the logo seemed natural. The private persona was
becoming public.
As we developed the logo, featuring a wood-carved graphic of an original log cabin/smokehouse, the story was recorded and edited down to a summarized version.
It was available for printed material, social media, and as art to be presented on walls. Yes, it was intended to become a decorative element too.
The Story became a focal piece in the interior along with authentic, original photos of the log smokehouse and an interpretation of patchwork quilts entitled Urban Piecework made from leftover ceramic and porcelain tiles, glass and clay assembled in wall-mounted panels throughout the interior and exterior spaces.
Photos of the original smokehouse in North Carolina will soon be presented to further reiterate the story on the interior walls.Urban Piecework commands the interior with bold mosaics reminiscent of patchwork quilts – an intriguing backdrop installed both inside and out.
Connecting with patrons, followers, clients, friends, family and acquaintances is valuable. As a business, it wraps who and those elements that are important to you in a familiar cocoon of context. It can instill a level of comfort and confidence in addition to sparking additional interest that might have taken longer to establish, without the introduction of your story.
The final multi-dimensional and multi-textural wall-piece featuring the story and mission is a striking 4’x6′ multi-textural panel. It offers patrons an opportunity to get a few questions answered as they enjoy their “exbeerience” at BLUE.
It was a privilege to promote, extract and produce this story and contribute such an important and valuable element to this business’s marketing and solidifying it’s new, exciting chapter of their brand.
Consider your story. Own it. Share it. Celebrate the uniqueness of your story. Design with your story in mind.
Busy lives in a new town, he in his residency and she working
in a busy OR, they bought a house – their first house – and asked for help
making it theirs.
They have traveled the world and collected art along the
way, a disparate inventory of things that caught their eye, spoke of their
experiences and reminded them of people, places and things to savor once home.
Home, that was the task. Create HOME in this new, old house. Built mid-century, it was simple, clean with some patchy remodeling from previous owners reflecting rather common decisions, with limited funds. We needed to discuss priorities and budget, evaluate what should stay and what needed to be changed.
They both had a love of Guatemala. Their travels there left
them with dreams of color and pattern, handmade functional art and an exotic
sense of place. Having these elements ingrained in their longing, they
expressed a desire to have that sense, but with a bit of a modern twist.
Assembling the colors and materials…
We salvaged the existing natural granite slab countertop and
unfortunate surface-mounted sink. The granite was a practical save and the sink
came along for the ride. In order to integrate the granite as though
intentional, I selected a multi-colored
Talavera tile that specifically had a dollop of mustard glaze in the design
picking up that Dijon field color in the speckled granite. As is my usual
preferred mode of installation, we took it wall-to-wall as a complete wall-covering.
We also saved the cabinet boxes and doors, but needed to
give them a lift from their median caramel stain on oak. Deconstructing the
colors in the design of the Talavera, we
knew we wanted blue cabinets – so the paint shades were fanned and the color
pinned-down. To give the cabinets that wabi-sabi look of loving wear, we sanded
the edges after the painting was finished. We also added cabinets over the
stove for additional storage space and utilization of that blank wall.
We removed all the doors and drawer fronts, filled the holes from the old pulls/knobs and painted them off-site. We painted the boxes in the field. Granite was salvaged along with the sink. New paint, Saltillo flooring, Talavera tile and cabinet pulls along with new appliances gave an updated look to the scene.
In real life, when
practicality rules, certain things have to give way for the good of the
whole. The whole being the pocketbook and other elements that take precedence
at the time. So we live with the radiant heaters, keep the chandelier for now,
until they have one fabricated to their specifications, use a machined rug
instead of a handcrafted piece and know that over the years they will massage
this starting place and truly make it their home.
Continuing to dissect the colors from the new wall tile, our
colorful young couple wanted more color…we chose individual values of bold
paint colors – smoky turquoise, slightly
burnt orange and brilliant golden yellow to intersect the planes throughout the
space.
Typical mahogany doors common to that era of home interiors,
the decision to match the white trim would have been easy, but we labored over
the existing natural, tropical wood and decided to keep it in the mix.
Although the nearly immaculate, original hardwood oak floors
were revealed after removing the wall-to-wall carpeting, the kitchen floor
throughout the rear vestibule and laundry room was an inexpensive and
uninspired sheet vinyl. Saltillo clay
tiles were the answer to furthering the Guatemalan feel. More commonly
associated with Mexico, these clay tiles are historically the plebian choice.
Taking many forms, some artful enough to be the cornerstone of patrician interiors
in fine mosaic installations and other patterns and designs, clay tiles –
glazed and unglazed always add an artful, soulful human element. Speaking to
that, we inserted 2″x2″ glazed Talavera accent tiles into the floor’s
new Saltillo field in the vestibule creating
an almost area-rug-like definition.
The dated floor-plan enclosed the kitchen separating it from the rest of the living area. The very first comment made by our clients was questioning if we could open that wall – connecting with the living room and large picture window beyond.
The mottled cobalt blue light fixtures add another punctuation of color over the bar along with the parrot green barstools that our home-owners spontaneously nailed in an irresistible lust for even more color!!
Rather than trying to continue the existing “Dijon” granite, white Talavera tiles were used on the new pass-through bar counters – both high and low on the new cabinets.
The first phase of this colorful project has set the stage for an enjoyable work-in-progress for years to come as they now have a basis for design, more collectibles to come, and all they enjoy from places near and far. The upcoming annual trip to Guatemala, in April, will reinforce the joy and appreciation for this special place “home base” in their lives.
The dogs look in eagerly, but are limited to their expansive backyard, their vestibule and full run of the master suite.
Although they selected a durable denim twill fabric to reupholster their sofa and loveseat that they were gifted from a friendly neighbor, the primary living area is – for the most part – “off-limits,” but that seems to work for everyone in the family!!!
Time to remodel the kitchen!! This charming little bungalow had already experienced its share of remodeling – well, not so much structural – although, many interior design transformations had occurred over the decades. In the mix, the well-used and enjoyed kitchen was feeling a quite tired and dated.
You might remember I have used this now completed project, in the last few months, during its transformation process to identify certain features and design practices. Here is the as-promised unveiling of the before and after photos for further discussion about the design process, intent and results.
We loved the mottled color and organic character of the existing slate floors and opposing green-grey beams with spanning boards of a caramel stain. These were the two elements that went well together as though intentionally planned. Yet in between, the pale, peachy pickled oak cabinets with their radius detailing and red-rose/black matrix of the tiled granite counter-tops, didn’t seem to speak at all well with the ceiling treatment and slate floor’s greens, rusts and charcoal tones. It was a dark, confused space.
When observing and “listening to” the house, it was evident that the current kitchen, in addition to being poorly coordinated, had absolutely nothing to do with the original architectural intent. The new owners had brought a few very fine antique pieces into the home. The mid-century circa 1964 age of the house accepted them on its original hardwood floors also adorned with their fine antique rugs…but something was missing. There was no cohesive thread running through the house. Over the years finishes and decorative elements had been selected and installed without any consideration for original materials or an attempt to introduce compatible and harmonious materials for the good of the home’s overall theme.
In all fairness, had the entire interior been gutted and a
contemporary interior been uniformly installed into the framework/shell of the structure,
I might have considered it a success. However, this multiple decade decor was a
mix of disparate trends and preferences that had no commonality.
To begin the process of bringing this home into a cohesive
design last year, we had redesigned the living room. There we introduced a classic
blue and white color scheme derived from the Persian rug in the adjacent dining
room.
To the corner kiva fireplace, we added a sandstone hearth and
mantle with just enough blue and white Talavera tile trim at the base of the
hearth to subtly coordinate with the new scheme. The Talavera was an
appropriate material for this New Mexican bungalow.
The original fireplace had a dark, broken brick quarry tile hearth and no cap on the mantle.The face-lift replaced the hearth material with broken-edged sandstone slab and matching mantle cap with Talavera detailing at the bottom.
With this living room having been so successfully re-designed, the obvious thought came into the discussion to continue the vernacular of the blue and white Talavera into the kitchen. As a bit of a purist when it comes to application and termination of materials, I was not content for a mere back-splash. No, if the tile were to be effective and commandeer the stage, it had to be used wall-to-wall as though an entire wall treatment.
Treating the Talavera tile as wall-covering, it continues from the kitchen, into the adjacent pocket-space housing a desk and laundry machines.
But wait! The addition of an earthy aqua handmade tile from
Spain offered an appealing and unexpected accent woven intermittently through
the Talavera. It created a coordinating thread from the colors found in the mottled
slate floors and ceiling beams.
Pre-grout shot shows the individually cut 1″ pieces inserted as mosaics into the random field of Talavera
The cabinets were in excellent condition, but the doors were
sadly dated and in no way spoke to the home’s other cabinets, doors and finish
carpentry.
The confused interior finishes we in need of a transformation!
With the white raised panel theme throughout the home’s original appointments, we elected to salvage the cabinet boxes and replace the doors and drawer fronts with a similar raised panel detail. The same red oak was used and, with a glossy white paint applied, the grain “read-through” with a very intentional yet subtle moiré-like pattern. The new raised panel white doors and drawers, with crowning top molding provided a crisp, timeless motif. The random patterned Talavera used as an entire wall-covering was very effective. The kitchen was quite gussied-up!!
The transformation was dramatically successful!
The existing slate floor was beautifully organic and I felt, from a design standpoint, was a must to salvage. Making it look like an intentional selection – part of the new scheme – was imperative. Therefore, selecting a counter-top that communed with the tones in the floor resulted in a selection of concrete-like engineered Italian quartz material – balancing the floor with the next horizontal plane and ultimately with the stained and green-grey boards of the existing ceiling treatment.
The new concrete-like Italian quartz counter-tops coordinate well with the other materials.
Another asset was the connection to the outdoors, however the existing window over the sink was high and small.
The window over the sink was high and small…
By bucking the warranty of the Pella people, we had a new double-hung window made to close down onto the new counter-top that passed through from inside to out. They would not fabricate the window to do what we intended, so we had the contractor remove the bottom of the new window frame, thus rendering the warranty null and void, in order to have a completely open, uninterrupted pass-through when raised.
Amusing and interesting…existing family pieces of blue and white ceramics are being discovered and used as decorative accessories in the new kitchen!
We also captured the opportunity to open the opposing wall into the hallway adding pass-through light and dimension to the space. This exponentially expanded the space and made the encapsulated kitchen feel much less confined.
Before, the kitchen felt small and dark…Opening the wall into the hallway brought in additional light and dimension.
To add drama to the newly created dimension, we discussed having a painting commissioned to pop an accent of yellow into the blue and white scheme on the far hallway wall. Lemons, a perfect citrus for the kitchen, was decided for the theme.
A miniature oil painting by Federico Leon de la Vega was used to Photoshop into the scene to inspire and convey the design intent.
The additional POP of yellow is a dramatically effective contribution to the overall composition. After consideration, the owners selected a local artist to paint the full-scale painting.
A local Albuquerque artist, Thomas Tomlinson rendered the lemons in acrylic with blue and white tile details.
In summary…keeping the original slate floor, existing cabinet boxes (replacing door and drawer-fronts only), with a bling of new chrome cabinet pulls, switching out the stained glass pendants, replacing the island’s surface with a handsome solid walnut top and a new coordinating concrete-like counter-tops on the periphery, with the decorative embellishment of the Talavera tile continued from the subtle introduction at the living room’s kiva fireplace, the transformation of the kitchen is stunning – not trendy – and was truly, uniquely designed for the architecture and forward, on-going contextual design conversation of the home.
Uniquely designed…
Look around and listen to the environment for and in which
you are designing. What makes the best sense for the design direction
considering the function and context of your project?
With all the New Year buzz about the new color forecasts…I started taking notice of the seeming non-color, white. It is often considered the absence of color when in fact it is a very complex color of many shades and values. Just try to select a white and you will know what I mean.
When you look at white paint samples, you will notice the nuances. There are pink whites and blue white, grey whites and yellow whites. Each white is off-set and contrasting to another. You see the differences by comparison and by context. You think you have just the right white until you place it against another sample and see that it is grey or cream and then second guess yourself again…and again…How do you know which white is right?
Dunn Edwards groups their whites and pastels in a separate section of their fan deck as do other paint companies. What is interesting here is that the background is a sheet of white copy paper. Notice how is reads against the colors in the samples…it seems to be a purple blue color. This shot was taken under a full-spectrum LED lamp. The colors should be true. The range of “white” is amazing.
To intentionally design with white is bold. To have the confidence, to decide that white IS the color and that white IS the scheme, is challenging. To effectively design with white, you not only have to select the right white(s), but you have to know just how much of anything else might be effective yet not detract.
Le Leche in Puerto Vallarta is a fabulous example of designing exclusively with white. Only with minimal punctuation with black lettering on the wall of containers and also by allowing shadows is the white interrupted. But the blacks’ minor interruptions gives depth and fine detail.
White design can be cold or warm. Depending upon the desired effect, mood or function of the space, the whites need to be carefully selected. This is true with lighting as well. Warm whites or cool whites…what gives you the desired result?
Popular white string lights add festivity and a warm glow to an evening scene.See how many lighting colors you can identify in this scene…Starting on the left, a cool pocket glows through the underbrush. The walkway has a warm pink-ish light. The very cool blues of the pool area give a dramatic read. A bold yellow accent peeks from the far left and also over on the right. The palm trees are wrapped in a warm white tube lights while the far right side illuminates the entry to the dining palapa with a cool white light source. The foam of the surf on the beach is captured with a cool white spotlight that maintains its naturally expected white color.
Knowing when to add color to a white scene to achieve an intentional POP is an art. The color itself, the amount and placement is all part of the success of a good design result. From the fine black detailing in the previous shot of La Leche to this still-life composition of a tropical cocktail that I propped the other day, the minimal punctuation of color is key.
White mosaic shards of tile in the background of this composition featuring a peeled coconut and the POP of a pretty pink party umbrella result in a white-on white scene. Yes, this shot says PARTY with a perky smile!
The bench which served as the backdrop for the coconut cocktail is a dramatic serpentine sculpture of site furniture that plays with the white-on-white of the tile and grout.
Contrasting against the organic wood decking, this white monolithic bench snakes around the periphery of this outdoor lounge area. The sunset is casting a soft pink wash over the all white glazed tile.
Beach settings using white materials compliment the white sand and greenery of the tropical plants. From wood frame platform cabanas to the sprinkling of umbrellas, white is a wonderful, fresh color for a crisp clean scene.
Whites on whites…creamy sand colors to crisp white terrycloth, the white-on-white scheme is soft, inviting and clean.Greenery compliments the white umbrellas and sunning beds on the lawn by the beach.Palm trunks and other fruit trees are often painted white to protect against insects and what insects insist on climbing the surface are easily spotted by birds who appreciate the help to capture a snack! In this case, they contribute to the white design theme.
The soft creamy off-white folds of fabric offer a soft, inviting scene.
Shadows in the creases and depths of the folds add the dimension to the luxurious feel of the cotton damask fabric.White stucco is dappled by shadows and greenery while given a warm, strong base by the brick pavers. White as an architectural finish is only successful if the context compliments it. This is true in all design.
Architectural color and texture of surfaces is a moving target. A recent discussion about a white building with black detailing would not have proved right for this particular use of white. The hard, commercial read would have been too severe for the intended effect. Yet that same project, with a warm white and an ochre accent, will be just the right combination to achieve the desired result. Watch for this project to be featured in a few months.
Architectural surfaces incorporating tones and textures of white provide interesting opportunities
Block and crumbled edge accent bands on the facade of an exterior wall.
White in design is an exciting selection. Knowing how, when and why to use it is a test of your creativity. Picking the right white is the challenge.
The limitless colors of white found in a pile of gravel…..
So the next time you think white, think a lot about it. Study the context and what you are trying to accomplish. Feel freed by the fact that white is a color to express and enjoy.
In past blogs Patti Says a lot about selecting paint colors. Pondering paint colors and the elusive nature of selecting just the right color. https://patriciandesign.com/5677-2/
Walls surround your world. Walls encapsulate and enclose your personal spaces. They can also frame your world and dramatize a focal point. They add effective dimension when punctured.
A current study we have in front of us is about those specific things. Walls – opening them, their color and the context of the color decision. Months ago we examined a wall in a kitchen soon to be remodeled. Re-painting it was the most obvious and least complicated of the options. We also looked at creating a dimensional recess to house art or an accent color or something to take the curse off of its up-close, massive, solidness. It was like the 10,000 pound elephant in the room!
The wall encapsulated close quarters. It divided the space between the kitchen and the parallel hallway.
What we were looking to change was atmosphere. This involved improving the dated and worn cabinets and counter-tops, updating the lighting, enhancing the back-splash and addressing the closed, isolated feeling of the room.
Smoke and mirrors might be the answer. Like a magician appearing and disappearing behind a veil/dimension of smoke – or when the physical space is not negotiable, mirrors will give the illusion of added space. They are VERY effective tools, but neither was the right solution for this room’s current condition. Yet, we knew we needed dimension, depth and something to help expand the space.
Hmmm…the window over the sink offered an exciting option to open out to the patio. We did that – save that for another story. However, this large elephant of a wall was still so confining.
Sometimes small spaces can be cozy. Some people prefer tight spaces while others find them to be claustrophobic. This was not exactly claustrophobia instilling, yet it certainly spoke to all of us as an imposing, confining factor that needed attention.
After discussing all the colors and recessed options someone has the brilliant idea to ask – “What about removing the wall?” That seemed a bit radical considering that it only opened to the hallway and it served a purpose of defining the access to the kitchen and opposite bedroom quarters. To open it entirely might have given an orientation to the kitchen that suggested that the island seats be positioned facing that point-of-arrival. Hence looking directly into the far hallway wall. That was not the desire. Rather, we decided to cut a large opening in the wall exposing the far hallway wall while maintaining the orientation of the kitchen toward the outdoors and island seats facing into the kitchen not out into the hall. It worked!
The space was instantly enlarged. Opening the space onto the patio and this opposing generous puncture of the Great Wall of Kitchen changed everything! The light borrowed from the skylights in the hallway was significant and the sensation of enlarging the space was undeniable. Except the footprint had not changed.
The physical feeling of a space is what counts. It was proven here that it wasn’t about enlarging the space but feeling like it was enlarged. Like mirrors, the illusion of space is so important. But, unlike mirrors this space was physically opened creating the sensation of enlarging the space by adding actual dimensional reality . The benefits were immediate. It actually conveyed a palpable feeling of relaxation. It was freeing and created an entirely new experience of enjoyment.
A passing idea for a stenciled surround was entertained…
Tight spaces give some people comfort. Contrarily, open spaces give comfort to others. Personal reactions to space, color, texture, temperature all enter into the equation of good design. What tasks are being performed also play a part in determining what solutions are best.
This dark, isolated kitchen benefited from changing the cabinets to a white traditional raised panel style detailed with crown molding which added a refreshingly light element. The house was a decades old vintage bungalow and had been dealt a disservice to have had the kitchen remodeled years ago in a not-so-sensitive, style-of-the-day fashion. But, in addition to the more traditional timeless approach to the design, opening the space resulted in additional natural light borrowed from the hall’s skylight and an enlarged interior over-the-sink window brought more coming in from the patio. Now colors…
So we know that picking colors is contextual.. .what’s in and around the room are all part of the equation. Any walls that are seen beyond (through doorways, around corners) contribute to the layering of colors and therefore, participate as well. The floors are multi-colored mottled slate. The tile chosen to enhance the backsplash and also serve as wall-covering was a blue and white Talavera accented with a soft aqua mosaic. The ceiling mimicked the floor as the beams were a smoky grey with caramel-color stained knotty pine boards between – we embraced these existing design features as their unselfconscious non-trendy nature suggested a more grounded, permanent place – one with organic finishes that might have resulted from local availability sourcing and craft – and probably did all those decades ago. See what Patti Says in another blog about this very project: https://patriciandesign.com/trust-and-custom-designs/
The fact that all of these elements contribute to the equation, for deciding a color, is key to our study today. After discussing the options for treating this newly opened wall, we found ourselves doing the paint sample potpourri on the walls!
Taking cues from the aqua accent mosaic which was derived from those tones found in the slate floor, we directed the color choices toward smoky aquas and grey blue tones.
Sometimes white is actually a color, rather than the absence of color. The wall was currently frosted with smooth crisp drywall mud as an aftermath to the demolition and framing of the new opening. The stark white was clean and fresh. Like matting around a painting – this might just be the way to go.
And at this point, we must introduce the idea that was also in the works and that was to have a painting commissioned that would POP through the opening providing a spectacular backdrop to the kitchen and dress the dimensional contribution that the opening into the far wall of the hall presented.
We knew that yellow was a great color POP for this cool kitchen pallet. A recurring bowl of lemons kept proving that to be true. Lemons became the fresh, culinary subject that seemed to be the perfect fit. So we enlisted our master muralist Federico Leon de la Vega to meet the challenge. Armed with the blue and white scheme and the accents of aqua he created a miniature to test the concept.
Isolating the image and framing it is always an important component in the formatting of scene. Whether to spotlight a sculpture on a pedestal, or properly and effectively matting a painting in a frame, this aura is important to highlight art. The same became true as we considered the painting being “framed” by this opening. The wall itself became the mat. So to get an idea of what this might look like, a quick digital manipulation did the trick.
The final decision seems to be that we will keep the wall with the opening white, as though a matting around a painting, while painting the perpendicular wall a smoky aqua. Another opportunity for layering these two colors occurs when the smoky aqua wall is layered over a receding laundry room wall soon to also be painted white.
Watch for the completion of this wonderfully unique little kitchen to be unveiled with all the dramatic before and afters! Meanwhile, look around your interior and see if opening a wall might be an option to expanding your sense of space. The transformation can be rejuvenating!
